Praise for Brendan Slocumb's Symphony of Secrets
“Brendan Slocumb’s first novel,
The Violin Conspiracy, displayed his deftness at crafting character-driven stories featuring amateur sleuths with a deep reverence for music history — and everything to lose. With his
pitch-perfect follow-up,
Symphony of Secrets, he firmly establishes himself as
a maestro of musical mystery. . . . What makes the book sing is how it makes audible the chords that echo between present and past, coming together to create a consonant harmony. Slocumb dexterously interlaces the two plotlines, using them to echo and refract issues that haven’t disappeared over the years, only changed resonance. . . . Slocumb’s writing is
invigorating, and the detail in his character work makes the main characters in both time periods easy to root for. The arc of the story mirrors the sensation of listening to an unfamiliar piece of classical music and thinking ‘This is nice’ as it starts, then suddenly finding yourself
rapt, then
thrilled, then, by the end of the journey,
entirely astonished. Slocumb is a composer and conductor, and those skills translate well to his mystery writing — his
mastery of pacing and tempo and his natural sense of when to soothe the audience and when to jolt them out of their seats are on full display. The novel’s examination of white supremacy as an extractive force is clear and present without tripping up the
fast-paced and thrilling plotline.”
—The New York Times“As rich and suspenseful as
The Violin Conspiracy. . . . Absorbing. . . . A fast-paced detective adventure. . . . As [Slocumb] alternates artfully between the 1920s historical narrative and the present-day quest to unravel its mystery, he also parallels the two, which symbolically serves to repair the past. . . . Amid the heart-racing plot,
Symphony of Secrets is ultimately an affirmation. Music has historically been the country’s ethnically richest art form, particularly embodied in the multicultural story of jazz and in today’s cross-fertilization between popular genres. That process has been marred when the powerful extract from the powerless. Josephine Reed’s restoration speaks back to such exploitation. Shaping her vast array of colors, ciphers and traditions, she’s a seamstress of the torn national fabric.”
—The Washington Post “Stirring. . . . A provocative follow to his much-lauded 2022 novel,
The Violin Conspiracy, praised for its pitch-perfect dive into the world of classical music and the struggles faced by Black musicians who want to be included and respected for their talents. . . . Compelling. . . . Slocumb writes an intriguing and vivid story about social injustice, cultural appropriation and ‘whitewashing.’ . . . [The] thoughtful pacing carries an important message about race and privilege and the lengths to which people in power will go to manipulate history.”
—The Star Tribune"Music lovers will revel in
Symphony of Secrets, a novel that is at once a celebration of music and also a cautionary tale about legacy, privilege, and creative genius."
—Nita Prose, #1 New York Times bestselling author of The Maid
"Absolutely brilliant! Once again, Slocumb’s consummate skills are on vivid display as he gives us a fascinating page-turner that slips back and forth in time and seamlessly blends a heart-pounding thriller, a heartfelt look at family and quiet heroism, and a searing exposé of issues stretching from deep in our country’s past to the very present. The 'secret' of his title is apt indeed. And as for the cast: nobody creates rich, fully formed characters like Brendan Slocumb. Some books we finish and move on. This one will stay with you long after you turn the final page.”
—Jeffery Deaver, New York Times bestselling author of The Bone Collector and Hunting Time
"A twisty, mesmerizing mystery—Brendan Slocumb's writing is like music itself, dancing elegantly from the page."
—Danya Kukafka, bestselling author of Notes On An Execution"With
Symphony of Secrets, Slocumb has woven an incredible thriller about music, genius, history, and greed—and how easily innocent passion can turn to dangerous, deadly obsession. You won’t be able to put it down until the last note!"
—Peng Shepherd, author of The Cartographers
"Both a beautiful, joyful, celebration of music and the people who love it, and a chilling portrait of how easily good slides into evil
—and echoes through the years. I loved this book."
—Sara Gran, author of The Book of the Most Precious Substance“Brendan Slocumb’s
Symphony of Secrets is a wonderfully compelling page-turner that’s so authentic you’ll swear that Slocumb himself was part of the 1920s Manhattan music scene. Slocumb's musical background along with his unique characters and gorgeous prose create a fascinating story of astonishing talent and extraordinary deceit. I loved this book!”
—Karen Dionne, #1 internationally bestselling author of The Marsh King’s Daughter and The Wicked Sister
"
Symphony of Secrets is more than just a mystery—it's an overture, a mingling of the past and the present and the problems that still plague America today. Brendan Slocumb is a master storyteller, a conductor of the written word, and in his talented hands, this symphony sings."
—Eli Cranor, author of Don't Know Tough and Ozark Dogs
“Music and history are strung together in a delicate harmony that further solidifies Slocumb’s place as a must-read author.”
—BuzzFeed
“Slocumb’s popular debut, The Violin Conspiracy, turns out to be his tuning up for Symphony of Secrets, which is even better.”
—Air Mail
“This is a superb novel that will appeal to any thriller fan, not just readers with an ear for classical music. Sophomore novels don’t get much better than this.”
—Kirkus Reviews [starred review]
"Thought-provoking. . . . Gripping chapters set in the 1920s and 1930s vividly evoke Reed, Delaney, and the racial inequities that fueled their relationship. . . . This exploration of the ways race, power, and modern music intersect lands as a timely page-turner."
—Publishers Weekly"Slocumb’s second novel (following
The Violin Conspiracy) is an improbable but fun mystery that will attract fans of Dan Brown’s
The Da Vinci Code (a lot of readers, in other words).”
—Library Journal
