Named a Most Anticipated Book of the Year by Time, Entertainment Weekly, Vogue, Good Housekeeping, Oprah Daily, Glamour, USA TODAY, Parade, Bustle, San Francisco Chronicle, The Seattle Times, The Boston Globe, Tampa Bay Times, BuzzFeed, Vulture, and many more!
From one of the most celebrated writers of our time, a literary figure with cult status, a “sibling novel” to her Pulitzer Prize– and NBCC Award–winning A Visit from the Goon Squad—an electrifying, deeply moving novel about the quest for authenticity and meaning in a world where memories and identities are no longer private.
The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is “one of those tech demi-gods with whom we’re all on a first name basis.” Bix is 40, with four kids, restless, desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or “externalizing” memory. It’s 2010. Within a decade, Bix’s new technology, “Own Your Unconscious”—that allows you access to every memory you’ve ever had, and to share every memory in exchange for access to the memories of others—has seduced multitudes. But not everyone.
In spellbinding interlocking narratives, Egan spins out the consequences of Own Your Unconscious through the lives of multiple characters whose paths intersect over several decades. Intellectually dazzling, The Candy House is also extraordinarily moving, a testament to the tenacity and transcendence of human longing for real connection, love, family, privacy and redemption. In the world of Egan’s spectacular imagination, there are “counters” who track and exploit desires and there are “eluders,” those who understand the price of taking a bite of the Candy House. Egan introduces these characters in an astonishing array of narrative styles—from omniscient to first person plural to a duet of voices, an epistolary chapter and a chapter of tweets.
If Goon Squad was organized like a concept album, The Candy House incorporates Electronic Dance Music’s more disjunctive approach. The parts are titled: Build, Break, Drop. With an emphasis on gaming, portals, and alternate worlds, its structure also suggests the experience of moving among dimensions in a role-playing game.
The Candy House is a bold, brilliant imagining of a world that is moments away. Egan takes to stunning new heights her “deeply intuitive forays into the darker aspects of our technology-driven, image-saturated culture” (Vogue). The Candy House delivers an absolutely extraordinary combination of fierce, exhilarating intelligence and heart.
Jennifer Egan is the author of six previous books of fiction: Manhattan Beach, winner of the Andrew Carnegie Medal for Excellence in Fiction; A Visit from the Goon Squad, which won the Pulitzer Prize and the National Book Critics Circle Award; The Keep; the story collection Emerald City; Look at Me, a National Book Award Finalist; and The Invisible Circus. Her work has appeared in The New Yorker, Harper's Magazine, Granta, McSweeney's, and The New York Times Magazine. Her website is JenniferEgan.com.
Praise for The Candy House Named a Most Anticipated Book of 2022 by Time, Entertainment Weekly, Vogue, Good Housekeeping, Oprah Daily, Glamour, USA Today, Parade, Bustle, San Francisco Chronicle, Seattle Times, The Boston Globe, Tampa Bay Times, Off the Shelf, Buzzfeed, and Vulture.
“The Candy House
does what only the best and rarest books can: peel back the thin membrane of ordinary life, and find transcendence on the other side.” —Leah Greenblatt, Entertainment Weekly
“The Candy House
is bursting with stories, thick with beating hearts…Egan’s writing dazzles.” —Maggie Galehouse, Houston Chronicle
“May be the smartest novel you read all year… Fiction at its best ..gets at our secret selves in ways the internet can’t… Egan’s audacity is welcome.” —Mark Athitakis, USA Today
“Radiant… an exhilarating delight…Egan opens windows on entrancing new worlds, in which what happened depends on who’s telling the story.” —Laura Miller, Slate
“This is a beautiful exploration of loss, memory and history, a not too subtle critique of what is lost when we live our lives online.” —Allison Arieff, The San Francisco Chronicle
“You don't have to read A Visit From the Goon Squad
to love this sibling novel to Egan's stellar hit…complex and intimate.” —Good Housekeeping
“Rich in indelible characters…full of humor and heartbreak and insight about our brave new world…Egan’s subtle attention to the distinctive voices of her many characters is remarkable.” —Colette Bancroft, Tampa Bay Times
“For Egan, getting it right has to do with fulfilling a reader’s craving —for mystery and imagination, as opposed to the barrage of information we find much easier to access.” —Lynn Steger Strong, Los Angeles Times
“A brilliant demonstration of the unquantifiable pleasures of great fiction.” —Ron Charles, The Washington Post
“The Candy House
is a brilliant portrait of intersecting lives.” —Annalisa Quinn, NPR
“Like a well-curated playlist, The Candy House
uses chapter breaks to switch perspectives and tempos without killing the mood, and each sensuous little story feels like a peek through the blinds at people whose larger journeys we can only guess at.” —Patrick Rapa, The Philadelphia Inquirer
“Sometimes…you pick up a novel and it makes your skin prickle. Jennifer Egan’s new one, The Candy House
, is one of these novels. This is minimalist maximalism. It’s as if Egan compressed a big 19th-century triple-decker novel onto a flash drive… Egan goes all in on the power of storytelling and of fiction.” —Dwight Garner, The New York Times
“A fast-paced polyvoiced romp thru America in the grip of a sinister tech that allows others into your mind. EEK!”
—Margaret Atwood, author of The Handmaid's Tale and The Testaments
“A complex, compelling read that showcases Egan’s masterful storytelling.” —Time
“A multi-narrator masterpiece about searching for meaning in a crazy world.” —Entertainment Weekly
“Inventive, effervescent… Egan plaits multiple narratives and techniques to underscore the manifold ways our own desires betray us in a brave new coded world.” —Oprah Daily
“Very funny, penetrating, and impactful.” —Glamour